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• Published on: 1997
• Binding: Paperback

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Free Download The Sacrament of LanguageBy Giorgio Agamben

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Oaths play an essential part in the political and religious history of the West as a 'sacrament of power'. Yet despite numerous studies by linguists, anthropologists and historians of law and of religion, there exists no complete analysis of the oath which seeks to explain the strategic function that this phenomenon has performed at the intersection of law, religion and politics.

The oath seems to define man himself as a political animal, but what is an oath and from where does it originate? Taking this question as its point of departure, Giorgio Agamben's book develops a pathbreaking 'archaeology' of the oath. Via a firsthand survey of Greek and Roman sources which shed light on the nexus of the oath with archaic legislation, acts of condemnation and the names of gods and blasphemy, Agamben recasts the birth of the oath as a decisive event of anthropogenesis, the process by which mankind became humanity. If the oath has historically constituted itself as a 'sacrament of power', it has functioned at one and the same time as a 'sacrament of language' - a sacrament in which man, discovering that he can speak, chooses to bind himself to his language and to use it to put life and destiny at stake.

• Sales Rank: #5113797 in Books
• Brand: Brand: Polity
• Published on: 2012-02-28
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .34" w x 5.48" l, .28 pounds
• Binding: Paperback
• 128 pages

Features

• Used Book in Good Condition

Review
"A brilliantly provocative thesis as to why ideological apparatuses, developed to deal with the problem of grounding social life, have led to unnecessary political horror."
Marx and Philosophy

"Full of fascinating ideas and encompasses a great breadth of scholarship."
Kelvingrove Review

 

"A brilliant work displaying remarkable erudition and startlingly original insights. May this work receive the immediate and lasting readership it deserves."
Leland de la Durantaye, Harvard University

From the Back Cover
Oaths play an essential part in the political and religious history of the West as a 'sacrament of power'. Yet despite numerous studies by linguists, anthropologists and historians of law and of religion, there exists no complete analysis of the oath which seeks to explain the strategic function that this phenomenon has performed at the intersection of law, religion and politics.

The oath seems to define man himself as a political animal, but what is an oath and from where does it originate? Taking this question as its point of departure, Giorgio Agamben's book develops a pathbreaking 'archaeology' of the oath. Via a firsthand survey of Greek and Roman sources which shed light on the nexus of the oath with archaic legislation and acts of condemnation, Agamben recasts the birth of the oath as a decisive event of anthropogenesis, the process by which mankind became humanity. If the oath has historically constituted itself as a 'sacrament of power', it has functioned at one and the same time as a 'sacrament of language' - a sacrament in which man, discovering that he can speak, chooses to bind himself to his language and to use it to put life and destiny at stake.

About the Author
Giorgio Agamben is Professor of Aesthetics at the University of Venice. His many publications include "Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive" (Zone Books), "The Coming Community", and "State of Exception".

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PDF Ebook And the Angels Were SilentBy Max Lucado

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• Sales Rank: #6166544 in Books
• Published on: 1984
• Binding: Paperback

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Ebook Download A Short Guide to Writing About Motion GraphicsBy Michael Betancourt

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• Sales Rank: #54937 in Books
• Published on: 2015-03-27
• Dimensions: 9.00" h x .33" w x 6.00" l,
• Binding: Paperback
• 132 pages

About the Author
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, andpublished in journals such as CTheory, Semiotica, and Leonardo.

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